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中山晋平の流行歌はどのように歌われていたか -松井須磨子、後藤紫雲、佐藤千夜子の場合-
http://hdl.handle.net/10105/2034
http://hdl.handle.net/10105/20340f7a40b6-e9a2-4439-b737-d078d4dcc39d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2010-06-09 | |||||||
| タイトル | ||||||||
| タイトル | 中山晋平の流行歌はどのように歌われていたか -松井須磨子、後藤紫雲、佐藤千夜子の場合- | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| 資源タイプ | ||||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
奥, 忍
× 奥, 忍
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| 著者(ヨミ) | ||||||||
| 姓名 | オク, シノブ | |||||||
| 著者別名 | ||||||||
| 姓名 | OKU, Shinobu | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | How does musical sensibility change when people accept music of other cultures positively? After the Meiji Restoration, the Japanese Ministry of Education took the policy of the positive introduction of Western music and this caused a great influence on many fields, even on adults' popular-songs. As a result, many elements in them, such as rhythm, scales, melodic treatments, timbre, etc. have been changing even now. This article is a part of my investigations on the changes in Japanese musical sensibility with the acceptance of Western music. Here, I focus on the process of change of intervals and temperaments in two popular-songs by S.Nakayama. Piches in records by three singers, S.Matsui, S.Gotoh and C.Satoh are measured and intervals are converted into cents. The results are examined with regard to the following three points ; a) the third, b) semitone, c) Tonic and tetrachord. This paper shows that, during Taisho era, intervals and temperaments had been changing from traditional ones of S.Matsui's singing to Westernized and well-controlled ones of C.Satoh's singing. | |||||||
| 書誌情報 |
奈良教育大学紀要. 人文・社会科学 巻 37, 号 1, p. 37-48, 発行日 1988-11-25 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 05472393 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN00181081 | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| その他のタイトル | ||||||||
| その他のタイトル | How the Popular-songs composed by Shimpei Nakayama were sung? -in the cases of Sumako Matsui, Shiun Gotoh and Chiyoko Satoh- | |||||||
| 出版者 | ||||||||
| 出版者 | 奈良教育大学 | |||||||