WEKO3
アイテム
東大寺二月堂声明
http://hdl.handle.net/10105/3378
http://hdl.handle.net/10105/337843a3fed1-a306-4f62-9d34-ec21c1a23a57
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
NUE14_1_113-132.pdf (999.8 kB)
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2010-05-24 | |||||||
| タイトル | ||||||||
| タイトル | 東大寺二月堂声明 | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| 資源タイプ | ||||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
牧野, 英三
× 牧野, 英三
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| 著者(ヨミ) | ||||||||
| 姓名 | マキノ, エイゾウ | |||||||
| 著者別名 | ||||||||
| 姓名 | Makino, Eizo | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | From Shyomyo found common to Rokuji, the parts included in Nitchu have been put into musical notation. A comparative study has been made of these and the parts of Shoya which were taken up in the last issue. Much difference is recognized in point of rhythm, which the reader is kindly requested to study himself by reading the notations attached hereto. A special observation has been made of Keka of each Ji, from the viewpoint of the selection of words used ; the number of words contained in one verse varies with each Ji. This fact seems to have great influence on the construction of rhythm. As a whole, Nitchu resembles Goya, Nichibotsu is like Shoya, and so is Hanya to Jincho. As for the time required for recitation, Shoya takes longest and Jincho shortest. At the end of this study, Fugennosan and Shakujo which are to be recited in the section of Senbo are given in musical notation. | |||||||
| 書誌情報 |
奈良学芸大学紀要. 人文・社会科学 巻 14, p. 113-132, 発行日 1966-02-28 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 04695569 | |||||||
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| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN00181037 | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| その他のタイトル | ||||||||
| その他のタイトル | ON THE SHYOMYO RECITED AT THE NIGATSUDO HALL OF THE TODAIJI TEMPLE (continued from the preceding issue) | |||||||
| 出版者 | ||||||||
| 出版者 | 奈良学芸大学 | |||||||
