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バイロンの「心の劇場」の諸相 －なぜ彼は書斎劇を書いたのか？－
http://hdl.handle.net/10105/4730
http://hdl.handle.net/10105/4730bdf4ad68-35f7-4062-887d-c1b3426158c3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
NUE59_1_193-207.pdf (1.6 MB)
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2010-12-13 | |||||||
| タイトル | ||||||||
| タイトル | バイロンの「心の劇場」の諸相 －なぜ彼は書斎劇を書いたのか？－ | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| キーワード | ||||||||
| 主題 | Byron, the Romantics, a mental theatre, closet dramas, バイロン, ロマン派, 心の劇場, 書斎劇 | |||||||
| 資源タイプ | ||||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
門田, 守
× 門田, 守
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| 著者(ヨミ) | ||||||||
| 姓名 | カドタ, マモル | |||||||
| 著者別名 | ||||||||
| 姓名 | KADOTA, Mamoru | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | The purpose of this essay is to discuss some of the reasons why Byron avoided writing dramas for the stage and produced closet dramas only. The reasons which I proposed here are: (1) the degenerate condition of the London stage at Byron's time, (2) his propensity for self-dramatisation in his literary pursuits, (3) effusions of his inner life particularly observable in his Manfred, (4) his longing for an earthly paradise that occurs in some of his dramas written in his Italian years, and (5) the pursuit of his identity and the presentation of his political position attempted in his three final dramas. The conclusive statement at the end of this essay includes my suggestion that Byron's dramaturgy served as a kind of guiding philosophy that finally led the poet to his Greek expedition. | |||||||
| 書誌情報 |
奈良教育大学紀要. 人文・社会科学 巻 59, 号 1, p. 193-207, 発行日 2010-11-30 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 05472393 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN00181081 | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| その他のタイトル | ||||||||
| その他のタイトル | Some Aspects of Byron's "mental theatre" : Why Did He Write Closet Dramas? | |||||||
| 出版者 | ||||||||
| 出版者 | 奈良教育大学 | |||||||
